Tuesday, 3 June 2014

Vipul Shah on his upcoming film Holiday

The filmmaker produced hits like Singh Is Kinng and highly-acclaimed film Force. PHOTO: FILE
MUMBAI: 
He juggles two different roles but Vipul Shah believes in doing one thing at a time. If he dons the director’s hat, his focus is on his craft and as a producer, he ensures he doesn’t get in the way of his directors.
“If I am producing, I enjoy it the most, when I am a director, then I can’t think of any production work,” Shah said to a query about juggling his “roles” during an interview.
“When I am producing, I don’t think of becoming a director. None of my directors, who have worked with me, will complain that I chew their brains or interfere in their job.
“My job as a producer is very different. A director is the mother of the film… who creates it and a producer is the father who runs the entire show. I enjoy both,” said the director and producer of Namastey London and Waqt: The Race Against Time.
The filmmaker also produced hits like Singh Is Kinng and highly-acclaimed film Force, helmed respectively by Anees Bazmee and Nishikant Kamat.
But despite tasting successes, he feels that a producer’s job is “thankless”.
“Yes, it is a thankless job in a way,” Shah said. “It’s not just about the producer, everybody who works behind the curtains to a certain extent has a thankless job because people want to see who is in front of the camera.”
“People within my team know what I contribute to a film and as long as they are happy with me, I am done with being a producer. At the end of the day what matters is that your team should understand and appreciate what you are doing,” he added.
When it comes to the team, Shah has enjoyed a formidable long stint with Bollywood star Akshay Kumar, who has featured in all his directorial ventures except for London Dreams.
He describes their journey as “fantastic”. The duo have teamed up once again for forthcoming terrorism-based action thriller Holiday  — A Soldier Is Never Off Duty and takes pride in saying that this is their “sixth film together and that four out of five films have been successful”.
“As long as you are making better films together, you feel like working together again and again. My relationship with Akshay has reached a stage where we constantly want to do better work together. It has become stronger by the day,” added the filmmaker.
Shah’s retro drama Action Replay with Akshay had backfired, but in his defense the filmmaker argues that “nobody can have a 100 percent track record and I am no different”.
“Be it Raj Kapoor or the greatest of the great people  — they have given flops. The effort should be to learn from the mistakes and move ahead and make successful films. London Dreams was not a flop, it was an average film.
“Action Replay was the only film that didn’t do well. After that I did Force and Commando, which were hits. It’s part and parcel of your life and I think the audience loves me as producer, director or whatever,” he added.
Releasing Friday, Holiday… may be on terrorism, but it is different from the other films from the genre as director A.R. Murugadoss’ narrative focuses on sleeper cells and how quietly they merge into their target society before unleashing havoc.
Shah says the film’s team is very “solid” and the story is engrossing.
“The basic story is a very intelligent thriller based on sleeper cells. We all know that India is a terror-affected country and it’s because of the network of the sleeper cells, which plans the possibility of attacks to be carried out,” he said.
“These sleeper cells are so merged within our society they could be anybody — your neighbour, my driver, watchman. You can’t find out who sleeper cells are because they are so silent about what they do and that becomes the most dangerous form of terrorism because you don’t know the enemy and how to find them,” he said. 

Maleficent casts $70 million spell over box office, halts X-Men uprising

Produced for $180 million, Maleficent received mixed reviews but opened strongly with $4.2 million. PHOTO: FILE
LOS ANGELES: Maleficent, Walt Disney’s special-effects laden take on Sleeping Beauty’s wicked fairy godmother, captivated moviegoers, collecting $70 million in ticket sales to win the North American weekend box office stakes.
The movie starring Angelina Jolie as the black-robed villain finished far ahead of last week’s winner, X-Men: Days of Future Past, which took $32.6 million at US and Canadian theaters.
Seth MacFarlane’s western comedy A Million Ways to Die in the West was third with $17.1 million for the three days from Friday to Sunday, according to box office tracking firm Rentrak.
Produced for $180 million, Maleficent received mixed reviews but opened strongly with $4.2 million on Thursday night and conjured up more than 80 percent of advance ticket sales for the weekend, according to movie ticketing site Fandango.
The film is the latest in a line of reimagined classics, following Alice in Wonderland in 2010 and Oz the Great and Powerful in 2013. Industry experts forecast the film would open with $55 million, according to the movie site Box Office Mojo. “We’re very excited with this start,” said Dave Hollis, head of distribution for Walt Disney Studios, noting it hoped for an opening of around $60 million. Maleficent took in another $100 at overseas box offices.
Hollis said momentum built through weekend on positive word of mouth. With schools beginning to let out and a “general absence of family product in this marketplace,” Disney was optimistic for the film continuing its strong performance.
X-Men: Days of Future Past, with Hugh Jackman and Patrick Stewart in the seventh installment based on the Marvel Comic series, has collected more than $162 million in sales in domestic theaters since its May 23 release and has generated $500 million worldwide in just two weeks, distributor Fox said.
A Million Ways to Die in the West, MacFarlane’s second time directing a live action film after his 2012 hit Ted about a foul-mouthed toy bear, disappointed in its opening weekend.
Studio and industry projections had anticipated a haul of about $20 million to $25 million for the modestly budgeted ($40 million) film which stars MacFarlane along with Charlize Theron, Liam Neeson, Sarah Silverman and Neil Patrick Harris. The film received tepid reviews with only 33 percent of 128 critics giving it a “fresh” rating on the Rotten Tomatoes site.
Godzilla, the latest installment of the 60-year-old series about a giant lizard, was fourth with $12.2 million. Made for $160 million, the special effects infused film has generated $175 million domestically since it was released on May 16.
Blended, a romantic comedy pairing Adam Sandler and Drew Barrymore in their third film, was fifth with $8.4 million. They play single parents stuck at a resort in Africa. X-Men: Days of Future Past was distributed by Fox, a unit of Twenty-First Century Fox. Universal, a unit of Comcast, released A Million Ways to Die in the WestGodzilla and Blended were distributed by Warner Brothers, a unit of Time Warner. 

Gauri Khan launches her signature line in Dubai

Gauri Khan says there will be no limit to the possibilities of the extension of her brand. PHOTO: FILE
MUMBAI: While superstar Shahrukh Khan is celebrating his win in IPL, his wife Gauri Khan launched her signature line in Dubai this week. Khan, exhibiting keen interest in interior design, had earlier partnered with Hrithik Roshan’s estranged wife Sussanne for her furniture store The Charcoal Company. This time Gauri introduced her new project under the international design and architecture firm The First Ferry.
The First Ferry, which also operates in London, Singapore and New York, will be entertaining home, restaurant, spa decors, offices and retail space. Gauri further plans on to extend her line of furniture and chandeliers by consulting on yacht and landscape interiors.
“I might design jewellery, bags and shoes under my signature line a year from now,” Khan said on the launch ceremony. “I have a dream for this signature line and design is my passion. There will be no limit to the possibilities of the extension of my brand with The First Ferry because the future plans are all drawn out with a clear vision.”
Recently Gauri Khan established her own interior design store in Mumbai, The Design Cell but this she has claimed that a portion earned from this new brand will contribute to The Gauri Khan Foundation as well, reported The National

Alia Bhatt aspiring to be a Yash Raj heroine

The whole point of the collection is how Yash Chopra would display his heroines so it has fusion of romance, elegance and glamour. PHOTO: FILE
Actor Alia Bhatt, who hit the big screen with film Student of the Year in 2012, has now expressed a desire to join the ranks of famous Bollywood superstars such as Kajol, Madhuri and Katrina by acting in a Yash Raj film, according to the Deccan Chronicle.
At the store launch of Diva’ni, a Bollywood inspired fashion line presented by Yash Raj Films which serves as the first of its kind, Alia spoke about the store’s collection and her own wish to be a part of the Yash Raj industry. “Everyone aspires to be a Yash Raj heroine. I would love to be a Yash Raj heroine…I haven’t reached there but hopefully I will one day,” she said.
The aim of the store Diva’ni, a collaborative effort of the Yash Raj production house with famous sari brand Karol Bagh Saree House (KBSH), is to reflect how the late Yash Chopra portrayed the leading ladies in his films, who were a major force in the fashion industry in terms of fan following.
“The whole point of this collection was how Yashji would display all his heroines so it has fusion of romance, elegance, glamour and all of that. Whatever outfit I like I will pick that up,” Alia said when speaking about the line.
The 21-year-old star is excited about the release of her upcoming movie Humpty Sharma ki Dhulania with co-star Varun Dhawan, which reportedly pays a tribute to India’s most famous cinematic love stories. “It is not straight out from Dilwale Dulhania Le Jayenge,” Alia commented on her next release. “We are paying a tribute to all major love stories. When we talk about love stories, the first thing that comes to our mind is DDLJ, it was an epic love story. It is a filmy love story.” 

Did you know? : Indian versions of Michael Jackson’s songs to release soon

Legendary pop star Michael Jackson’s posthumous album Xscape will soon make its way to India. The Indian versions of Love Never Felt So Good and Slave To The Rhythmhave been created at Oscar-winning composer A R Rahman’s music school KM Music Conservatory in Chennai, reported the Hindustan Times.
Executive director of the music school, Fathima Rafiq, expressed joy over the opportunity to work on the music of as iconic a singer as Jackson. “It is a wonderful opportunity for KM to be creating Indian-influenced covers of these tracks from such a legendary musician,” she said.
The two songs will be available for streaming and downloading in India by the end of June. “We hope to capture the spirit and essence of Michael Jackson’s music and infuse it with elements from different Indian traditions to make new musical masterpieces, paying homage to his legacy,” she commented.
Commenting on the fusion of western and eastern music, Adam Greig, academic coordinator at KM Music Conservatory, said, “Although KM primarily teaches western and Indian classical music, working on MJ’s music demonstrates how connected popular music is with its classical past tradition.”
We can’t wait to hear MJ’s songs with a desi twist.

Did you know? Zee to launch a channel that will air Pakistani content only

Promotional poster of Dhoop Kinaray. PHOTO: FILE
The Zee network will soon be launching a channel Zindagi which will only air Pakistani content. The channel, slated to be launched on June 23, will pick successful Pakistani television soaps and dramas for its Indian viewers, reported Forbes India.
To test this idea, short clips of Pakistani shows were shown to families across India. The feedback reinforced the belief that these shows will work with the masses.
“The market today is already being fragmented with varied classes of people opting for a variety of content. We want to make sure we have an offering for the premium mass Hindi-speaking markets. This will help us expand our audience base, tap into premium advertisers and shore up revenues in the long run,” said Punit Goenka, MD and CEO of ZeeEntertainment Enterprises Limited.
The audience for such content is about 40 million TV homes. India has a total of 140 million homes that watch television.
In the early stages, the channel will air four hours of new programming every day; as time will progress, it will pick up content from other parts of the world as well and commission new programmes that will be produced both in India and Pakistan.
Several novels are also being converted into soaps and 12 telefilms have been commissioned.
Just like Pakistan, memories of classic shows like Dhoop Kinaare and Ankahi are still strong with the Indian audiences of the 1980s. However, the question is, will young viewers connect with this genre?

Tamanna to be finally ‘fulfilled’ on June 13

The title track of the film, which was unveiled at the music launch, has been sung by Amanat Ali, composed by Afzal Hussain and arranged by Hassan Abbas. PHOTOS: PUBLICITY
LAHORE: 
Monday night at the Royal Palm saw the music launch of Pakistani filmTamanna, which will finally hit theatres across Pakistan on June 13, four years after being announced. The film’s release is timely, as it surfaces when the local film industry has taken on a new significance.
The film’s soundtrack has been backed by the Tradition Plus team, which includes music heavyweights Sahir Ali Bagga, Rahat Fateh Ali Khan and cultural icon Yousuf Salahuddin. With fresh melodies and lyrics, the songs are pleasing to the ears.
The film’s British director Steven Moore says, “The unique thing about the film’s music is that it doesn’t just comprise Bollywood-inspired songs and dance numbers. The music [extends meaning] to the film.”
Moore, who was teaching film-related courses at the South Asian Media School in Lahore, has been avidly interested in the Pakistan’s culture. He has referred to the city as his home and has worked towards maintaining the entertainment quotient of the film while not succumbing to the normative, commercial content of local films.
“Artistes churn out different tunes all the time, which is why we don’t impose the kind of music we want on them. We simply give them some sort of inspiration and let them do their job,” Moore explains. “This is because if you tell artistes to make music for something specific, such as a film, then they tend to interpret it as an ‘assignment’, thus losing sight of creating something unique.”
The music album comprises three tracks, out of which two were unveiled at the launch: the title track, which has been sung by Amanat Ali, composed by Afzal Hussain and arranged by Hassan Abbas; and Chal Oye, sung by Ali Azmat and composed by Sahir Ali Bagga.
The film’s soundtrack has already received acknowledgment overseas; it has won an award at the London South Asian Film Festival for the track Koi Dil Mein, which Khan has lent vocals to.
The neo-noir film will be a test for independent filmmakers who are looking to make an impact through non-traditional stories. Despite limited resources and delays, Tamanna aspires to bring something new to the table, as it diverges from issue-based and thriller films that are commonly being made in the industry.
Another interesting aspect of the music is the way in which the music videos have been shot. The director of photography for the film Malcolm Hutcheson has been an avid collector of old film cameras, which he used for stills. For filming purposes, he found a way of using the classic wind-up camera, which had been used predominantly in the past for passport photographs and has now become obsolete.
“There were plenty of these cameras available in Lahore 20 years ago,” says Hutcheson. “Since I am interested in photography, I started to speak to local photographers, who were throwing these cameras away. I thought that it would be better to get hold of these cameras than disposing them. Now, at least these cameras are safe and with them the social history of Pakistan is preserved.”
He shares that despite constraints such as load-shedding in Pakistan, completion of the film was only made possible due to an innovative and hands-on approach to filmmaking. These handicaps even led the team to experiment with unusual aesthetic choices, so that they could efficiently utilise the production phase of the film.
It is fitting to see that the much-awaited Tamanna will finally be making it to the cinemas. However, one wonders why the discussed constraints were an impediment for the producers, considering that others in the industry are also faced with similar problems.