Wednesday, 21 May 2014

Star Wars: Episode VII' Is offering Fans A Chance To Be In The Movie

batman arkham knight
Warner Bros. Interactive Entertainment
The first gameplay video from "Batman: Arkham Knight" is out and we wish we didn't have to wait until October to play.
It. Looks. Awesome.  
Not only do we hear an overture from the Scarecrow, but we also get a good look at the mysterious new villain, Arkham Knight, a new character created for the game. We also get to see a lot of the Dark Knights' Batmobile which will be driveable for the first time.
While the previous title of the popular Batman video game was made by Warner Bros. Interactive, Rocksteady is back to deliver the final installment of the Arkham franchise.
Here's the game synopsis:
"Scarecrow returns to Gotham City with a scheme to unite the Rogues Gallery and destroy the Batman once and for all. As the citizens of Gotham flee and criminal gangs take control of the city, Batman evens the odds taking to the streets in the legendary Batmobile to ignite the fight that will decide the future of the city that he is sworn to protect." 
"Batman: Arkham Knight" will be released October 14 for the PlayStation 4, Xbox One, and PC. 
Check out the trailer:
Here's another look at the Arkham Knight:
Did you notice a nod to Oracle in the background here?
Here are a few more images of the Caped Crusader with his vehicle.
batman arkham knight batmobile
Warner Bros. Interactive Entertainment
arkham knight batman
Warner Bros. Interactive Entertainment
And here's one of him soaring over Gotham.
batman arkham knight flying


Read more: http://www.businessinsider.com/batman-arkham-knight-gameplay-trailer-2014-5#ixzz32Nodbbad

Friday Night Show

There are plenty of tough tickets in New York City, from late night talk shows to Broadway spectaculars, and while the process of procuring tickets has eased up a bit over the years (hey, thanks, Internet), that doesn’t mean the hottest of hot tickets is still “easy” to come by.
If you happen to Google “Saturday Night Live tickets,” you’ll be met with an official NBC website that details exactly how to go about getting tickets — which really means, “how to go about not getting tickets at all.”
"Saturday Night Live"is such a desired entertainment commodity (and no, we can’t keep calling it a “hot ticket”) that people who want to attend the show need to jump through the kind of hoops that no other live show offers. No, really — you name another show where you request tickets but can’t even request a preferred date for those tickets. Not even an exact date, just one that might work for you. Nope. If you’re going for those "SNL"tickets, you have to email your requests in the month of August only (the "SNL"season doesn’t start until September) and basically just wait it out.
If you get picked for tickets (and only if you get picked), you’ll get a pair of tickets for a show, date and time as picked by "SNL."Don’t try to game the system by putting in multiple requests. Don’t expect to hear back if you don’t get picked. Want to try standby? Line up at 30 Rock on the morning of your preferred show — at 7 a.m. Even then, you might not get in.
But if you get in, it’s worth it. Man, is it worth it.
(Full disclosure: I attended "SNL"as the guest of an attendee who was invited to the show by "SNL," but I’ve certainly tried to email lottery process before and intend to again. Is this a brag? Maybe, but I hope it’s a forgivable one.)
"Saturday Night Live"does something that’s both pretty remarkable and absolutely necessary — the show puts on two shows each Saturday night that it’s in season. At 8 p.m., they run through a full dress rehearsal (cue flashbacks to high school theatre), a jam-packed two-hour show that’s purposely overstuffed with material, because audience reaction and overall feel will help dictate what gets cut from the final show. (Often, sketches cut from dress will pop up on "SNL's" website as “web exclusives.”) Dress includes everything, from the host’s monologue to the musical guest’s two performances to any cameos that pop up along the way, with all breaks measured to reflect how long actual commercial breaks will be.
It’s the only way to do it, but it’s also totally bonkers, mainly because any changes have to be made between 10 p.m., when dress ends, and 11:30 p.m., when the live show starts. And, as was the case with this past weekend’s Andy Samberg-hosted season finale, there were a lot of changes.
But we’ll get to that.
First of all, there are a lot of lines. There’s a line downstairs in the lobby, and then a line to go through metal detectors and then up elevators. There’s a line to check in again upstairs, and then another line to stand in to actually get into the studio. There’s also plenty of waiting and anticipation and being reminded again and again to not use your phones. If you use your phone, they’ll find you (and this is something I witnessed time and again, the security team is on point at "SNL").
Sometimes, you’ll be standing in a line and a cast member will walk by (Aidy Bryant and Brooks Wheelan both trotted past while we waited in what ended up being the final line), and that will remind you why there’s so much security and lines to begin with, because the people you have come to see can just walk by.
Once you get into the studio, it’s surprisingly large (Studio 8-H is reportedly 6,339 square feet, and there are about 250 seats both downstairs on temporary chairs and upstairs on seats culled from the old Yankee Stadium), especially since the live show only ever shows those first-floor attendees, somewhat awkwardly perched in front of the stage itself. It’s comfortable, but it’s also crammed to the rafters (literally) with set pieces, props, lighting rigs, cameras, cranes, cast, crew, and anything else one would need to launch a live show.
Although the show always has a live studio audience, the production itself does not pander to that audience, and there appears to be little regard to making sure the live audience can see each sketch with their own eyes. This is not a criticism — once you see the stuffed studio, there’s no question that the set design of each sketch is done with one thing in mind: that it can actually fit in the space allotted to it.
"SNL" does provide plenty of video screens for watching each and every sketch (and any pre-recorded materials, like Digital Shorts), so while the cast might be just below you, working on a sketch, you’ll still have to watch it on a TV screen.
It sort of doesn’t matter, because the energy of a live show, even one that’s still essentially a dress rehearsal, is infectious. It just feels different. There are no second takes. There are no do-overs. It’s all a one-shot. It’s easy to forget that this is not live television.
Watching the show in studio also reveals all kinds of weird and wonderful things. The frenzy that accompanies set switches is just that — a total frenzy — but the stage crew is aces, and even with such a time crunch, details matter. I watched four people make sure the background wall sconces of the show’s Jay Z and Solange sketch were straight and properly lit. Three people worked to make sure a rug you can’t even see in the sketch was straight.
Still, that sense of quick turnarounds is ever-present. Although this episode was kitted out with all kinds of celebrity cameos, including Kristen Wiig, Bill Hader, Paul Rudd, Fred Armisen, Maya Rudolph, Seth Meyers, 2 Chainz, and Martin Short (who actually didn’t even show up at dress rehearsal, and whose presence I suspect was a true last minute surprise), my favorite star of the entire production was the producer whose entire job during the show appeared to entail making sure that Samberg was in the right place at the right time.
Even though you’ll never see it, the second Samberg completed any sketch or any intro (from his monologue to his musical guest introductions), his hand was grabbed by this "SNL"angel, who would then drag Samberg to the next place he needed to be, all at a breakneck speed. It was terrifying and kind of incredible.
The overstuffed nature of dress guarantees that a number of things shown to the audience don’t make it to the live show. If you watched "SNL"this weekend, you saw two Samberg-starring digital pieces — “Hugs” and “When Does the Bass Drop?” — but the dress audience also saw “Testicules” early on, now online as a web exclusive:
Elsewhere, the first guest segment of “Weekend Update,” one that starred Kenan Thompson as Magic Johnson, was cut. That one is online, too:
Other sketches were totally cut — maybe one day you will all get to see some version of “Italian Cheerleaders” — or radically changed. The “Legolas at Taco Bell” bit was much longer at dress, and included an entire gag about Samberg as Legolas mistaking other Taco Bell customers for Orcs, promptly shooting them in the process.
The loss of the Magic Johnson gag on “Weekend Update” meant that Kyle Mooney's Bruce Chandling spot went from playing against Colin Jost at dress to sounding off with Cecily Strong in the final show. “Camp Wicawabe,” which played late at dress, showed up early in the live show, perhaps to ensure that its littlest stars didn’t have to hang around for six hours on a crowded studio set.
Once dress rehearsal comes to an end — complete with the “good nights” and credits played over the monitors – it’s time for all of us to leave and for the "SNL" cast and crew to buckle down on shaping up the final show, which is happening in, yup, less than two hours


Read more: http://filmschoolrejects.com/features/attending-saturday-night-live.php?utm_source=feedly&utm_reader=feedly&utm_medium=rss&utm_campaign=attending-saturday-night-live#ixzz32NnPZUbc

'It's Always Sunny' Star Charlie Day Pushes Students To Take Risks In Hysterical Commencement Speech

Charlie Day Commencement Speech
"It's Always Sunny in Philadelphia" star Charlie Day returned to his alma mater Merrimack College this weekend to speak to graduating seniors at the school's commencement ceremony.
Day's speech was both humorous and insightful, with personal stories about moving to New York City, turning down jobs to create something of his own, and finally, coming to speak at Merrimack commencement. As he tells graduates:
You can not let a fear of failure or a fear of comparison or a fear of judgement stop you from doing the things that will make you great. You can not succeed without the risk of failure. You can not have a voice without the risk of criticism. You can not love without the risk of loss. You must take these risks.
True to the character he is best known for — Charlie Kelly on "It's Always Sunny" — Day's speech was also exceptionally funny. He notes when acknowledging his new Ph.D. that "Dr. Charlie Day sounds like some kind of club DJ ... And as a doctor I plan to start writing my own prescriptions immediately."
Here's a video of Charlie Day's full speech, with a transcript courtesy of Merrimack College below:
Good morning Merrimack. I'd like to thank President Hopey, trustees, faculty, students, parents, and my apologies to all the grandparents in the audience who have absolutely no idea who I am.
You are graduating from an excellent school today. Alumni have gone on to be CEO's, doctors, politicians, professional athletes, however this year you get to receive wisdom, knowledge and life lessons, from a man who has made a living pretending to eat cat food.
I do however have some qualifications, some insight, because I, like you are becoming today, am a Merrimack College Graduate. I know what it took to get here. I was in this very room. I sat in those uncomfortable chairs. I dressed like some sort of medieval pastry chef and I too desperately hoped my hangover would wear off. If you can just make it to brunch you should be alright.
Take note. A quick observation.
Apparently the higher in life you climb in life the more ridiculous your hats become. Like the one I'm wearing today, or the pope's or Pharrell. So if in some way you fear success, just think of the hats and that alone should motivate you.
This may be hard to believe but it was roughly twenty years ago that as a freshman I first set foot on this campus. I remember it well. My parent's eyes filled with tears. My own nervous excitement. I entered the Ash dormitory. I walked to my room. My heart was pounding with what the future might hold. I reached for the door handle, grabbed it tight, only to discover it had been covered with Vaseline.
It was a real lame prank being pulled by the boys on the third floor. "So this is how it's gonna be" I thought to myself. "Okay. They have no idea who just arrived on campus." I had to take action. I befriended a guy named Ed with a similar penchant for mischievousness. And late that evening Ed and I went to the third floor community bathrooms and cut all their shower curtains at waist high. Leaving the third floor boys with a diabolical option the next morning. Pass on a shower or take the most embarrassing shower of your life. My apologies for the destruction of school property. I'll donate two shower curtains. You'll have to dig up Ed to get the third.
Merrimack has come a long way since my time. The campus has grown. The quality of student improved. U.S. News & World Report ranked Merrimack as one of the top ten regional colleges in the north. In my time there was a young man at this school who scored in the zero percentile on his SAT's meaning nobody in the nation did worse than this man. This was a man who once mistakenly said "he wished he lived when it was black and white." A man who with complete seriousness told someone, that "he would take their advice in to cooperation." This man, of course ... was my room mate.
Did you think it was me? Come on. You're confusing me with my tv character. No. I was a decent student and I'm actually a doctor now. I have a PHD. I'd like to thank the school with bestowing me with this honor and highlighting to all the students and the other PHD's in the room today the complete and utter unfairness of life.
And although I join the ranks of fellow prestigious Honorary Doctors like Mike Tyson and Kermit The Frog and although I fully acknowledge that Dr. Charlie Day sounds like some kind of club DJ. I assure you all that I intend to go by this title from here on out. And as a doctor I plan to start writing my own prescriptions immediately.
Now, I know that having a honorary doctorate degree will do nothing for me, but I'm here to tell you today that your degrees, the ones you toiled to get, the ones you actually took classes to earn, those degrees, will also basically do nothing.
Let me clarify. You can't exchange your degree for cash. You can't have a degree audition or interview for you. You can not eat it. Please don't make love to it. You can maybe smoke it but I wouldn't advise it. A college degree collects dust. It does nothing. It does however mean something. It represents something, to yourself and your community. It tells your community. "I have expanded my mind and destroyed my liver but I didn't give up. I pushed through. I made it, man." And although 44 of you today took more than 4 years to achieve that goal, nobody has to know that. Think of the plus side, you gave your parents a couple more years of nobody living in their basement.
Of course, jokes aside, you all should be very proud. This is the end of an impressive chapter and in many ways just the very beginning of what your lives will be. And I know that you are curious about how things will go from here. Well let me tell you, Dr. DJ Charlie Day is here to help.
I have been in your shoes. Not literally of course. I wouldn't go anywhere near your shoes. I'm sure half of them reek of stale beer and vomit.
No, my point is this. I was here and I have the rare opportunity today of looking back at myself on this day and giving my self advise. What would I say? First off, "Charlie, lay off the dark beer and the bread. You're getting a little puffy, bud. Also get over that girl. She's not that into you. You're really wasting your time, trust me she'll regret it. Oh and you don't need to worry about Y2k it's like not even going to be a big deal or anything." Okay perhaps this exercise isn't too helpful but the truth is I don't have a ton I would say to myself. I'm happy with my choices. Let's face it, my life is pretty sweet.
I'd like to tell you instead three quick stories about some of those choices. The choices that led me from there to here and although most of you are not planning on becoming actors and writers I'm sure there are some parallels you can draw to help guide your own experience. If not, feel free to tune out. If your anything like I was at your age I lost you somewhere around "Good morning Merrimack."
When I left this school. I was presented with two options. Move to New York City where I knew next to nobody and begin my pursuit of acting or take the entry level position that had been offered to my by Fidelity Investments. I know what you may be thinking. "Why would major financial services corporation offer this numbskull job?" The answer is simple, because I tricked them.
Merrimack's business program was offering interviews with the company. The students would be given a score on their interview. I had no desire to work at Fidelity Investments but I had never been on an audition and I thought it would be a similar experience. I wanted to see if I could pull off the role of aspiring banker. Or whatever they do at Fidelity.
I had a game plan. Deflect from me. Get the guy to talk about himself. I wasn't going to lie. I just thought I'd basically interview him. We had a pleasant conversation. If I recall correctly we talked forever about the intricacies of water skiing, an activity I know nothing about.
Look, had the man asked me what eight times seven was there would have been an unbearable pause in the room. But he didn't. The interview went so well they offered me a job. Now this threw me a little. It was a real job. A big boy job. It was also more money than anyone had ever offered me for anything before. "Should I take it? Is this my destiny? Am I the next great financial genius? Should I come up with a plan B. Work in Boston a few years at Fidelity. Make enough money to have a cozy transition to New York."
Well, I've always had a half baked philosophy that having plan B can muddy up your plan A. I didn't take the job. I moved to the city. I bussed tables and answered phones. I lived in a basement apartment next to a garbage chute. The apartment was filled with cockroaches. I couldn't have made a better decision. Well maybe not the cockroach part. I should have found a different apartment. You'll find better apartments. Just avoid the trash area.
There is an obvious lesson here about believing in yourself, and there is the plan A plan B stuff but forget all that for a second. I think the lesson is this. Had I worked at Fidelity I'm sure they would have fired me eventually. I'm no financial genius. I can barely do long division.
But I didn't want to fail at Fidelity. And I didn't want to fail in Boston. If I was going to run the risk of failure I wanted it to be in New York. I wanted to fail in the way and place where I would be proud to fail, doing what I wanted to do and let me tell you ... I did fail. Time and time again. I was too short for this or too strange for that. I even had one casting director for a movie say "he'll never work in comedy." I was taking my punches but I was in the fight. That's a metaphor of course, I highly doubt I have any ability to take an actual punch.
My second story is a story about creating your own opportunities instead of waiting for them to be given to you. After a few years in New York, my foot was in the door. I was working. I was doing bit parts in film and television like mail kid #1 and junky #2. I couldn't get that big break. After many, many failed attempts of getting cast in television something popped up. It looked as though I was going to be offered a part on a big network show called "Life on a Stick."
Around that same time because I was tired of waiting for the big break I along with my friends Rob McElhenney and Glenn Howerton started filming a show in my apartment.
We had a sense that maybe we could make a better show than what was being offered to us at the time. We borrowed cameras asked friends to hold microphones and shot this show that we would eventually call "It's Always Sunny in Philadelphia."
Suddenly there was another decision to be made. Another crossroad. Do I do "Life on a Stick." Take the big network opportunity, the big paycheck or bet on myself and my friends, make no money and try to sell what basically was a home movie as the next great television series.
Do I try to convince people that I'm a writer and a show runner even though I didn't own a personal computer at the time. We were talking about a real long shot. It was the scarier thing to do but I said "no thanks," to "Life on a Stick" and went with "Sunny."
"Life on a Stick" went one season and thirteen episodes. We are currently filming our tenth season of "Sunny" we've written and produced one hundred fourteen episodes and are signed on for another two seasons making "Sunny" one of the longest running comedies of all time.
Again the bet on myself and my friends paid off. This time in spades. There was power in numbers. "Sunny" changed my life. Not only did I have a career as an actor and a writer now, I had complete control over it control it too. If I wanted to dress in a full body green spandex suit it went in the show. If we wanted to drink wine from a coke can as perhaps some of you are doing today it went in the show and if someone thought mittens were funny on kittens it went in the show.
It was the riskier road and again I could not have made a better decision. Taking matters into my own hands changed everything. Led to everything. "Horrible Bosses," "Pacific Rim," "Saturday Night Live." Creating the job as opposed to having it offered to me accelerated the process. Draw your own conclusions here but I think the lesson is obvious. Don't wait for your break. Make your break. Make it happen for yourself.
My last story of what led me from there to here is the literal act of agreeing to be here. When President Hopey came to Los Angeles to sit down with me my first thought was, "here it comes, they're gonna ask me for money." But when he asked me to speak to you today, I quickly accepted. Then as is the case with all great opportunities, reality of what I had to do began to set in. "Dear God" I said to myself, "I'm actually going to have to give a speech." I am not a public speaker. I have a voice like a ten year old who smokes. "How am I going to do this?"
I YouTubed commencement speeches given by Conan O'Brien, Steven Colbert, Steve Jobs. This ... was a terrible idea. Their speeches were so intelligent, so well informed and so eloquent that only more panic began to set in. "What am I thinking'" "How could I ever compare?" And the truth is, I can't. I don't host a talk show or do stand up. As an actor normally you have cut away from me ages ago. I am not nearly as smart as Steve Jobs was. I'm don't know how my computer works, I don't even know how my toaster works! And the YouTube comments, Oh the snarky comments! We live in a world now where things don't go away. And that perhaps is the most terrifying thing of all.
But I didn't back out. I'm here today speaking to you. And I know I will be posted on YouTube and judged and compared by all who care to see. But my lesson is this. I don't give a shit.
You can not let a fear of failure or a fear of comparison or a fear of judgement stop you from doing the things that will make you great. You can not succeed without the risk of failure. You can not have a voice without the risk of criticism. You can not love without the risk of loss. You must take these risks.
Everything I'm truly proud of in this life has been a terrifying prospect to me. From my first play, to hosting "Saturday Night Live," getting married, being a father, speaking to you today. None of it comes easy. People will tell you to do what makes you happy, but all this has been hard work. And I'm not always happy.
I don't think you should just do what makes you happy. Do what makes you great. Do what's uncomfortable and scary and hard but pays off in the long run. Be willing to fail. Let yourself fail. Fail in the way and place where you would be proud to fail. Fail and pick yourself up and fail again. Without that struggle, what is your success anyway?
As best we know we have one life. In it, you must trust your own voice, your own ideas, your honestly and venerability and though this you will find your way. You don't have to be fearless just don't let fear stop you.
Live like this as best as you can and I guarantee you will look back at a life well lived.
You are capable of greatness in your profession and more importantly in your quality of self. Stay young at heart. Stay hungry. Take those risks.
You are going to change the world around you in small ways and in big and I greatly look forward to being a part of the future you will shape. Congratulations graduates. And good luck.


Cannes Is Buzzing That Channing Tatum Could Win An Oscar For 'Foxcatcher'

channing tatum foxcatcher
In Bennett Miller's new film "Foxcatcher," which premiered at the Cannes Film Festival today, we see an actor do something probably many of us didn't think he was capable of.
Guided by Miller's careful hand, this actor does intelligent, understated work that will earn him raves and maybe some awards. Were it not such a hacky thing to say in a movie review, I might be tempted to call his performance a revelation.
You may think I'm talking about Steve Carell, the comedian who's shed his antic shtick and applied some prosthetics to play John du Pont, the heir turned murderer whose obsession with wrestling and two of the sport's biggest stars gives this movie its chilling, sad story. Carell will likely earn a raft of praise for his deeply unsettling performance, but to my mind the real performance to talk about is Channing Tatum's.
Yes, Channing Tatum, everyone's favorite hunk, who can do comedy, action, and romance with equal aplomb. Here, playing wrestler Mark Schultz, Tatum shows us that he's also able to mute his inherent swagger and turn inward, communicating deep currents of pain and longing in subtle and intricate ways. Schultz was perpetually in the shadow of his older brother, Dave, even though both won Olympic gold medals in 1984. Mark wants to prove something to himself, to the world, to his brother, so badly that he's become a creature of a single instinct.
At one point in the film, Mark tells du Pont that even his own victory was credited to Dave in some way, Tatum speaking in the guarded tones of a hyper-masculine guy who's not terribly comfortable expressing emotion, let alone his most closely held resentments. Tatum fills his scenes with this complex pathos through slight changes in posture and expression. The way Mark carries himself tells its own complicated story; he's athletically nimble and yet somehow weighted down, curling under a psychological burden that's forever pressing him into the mat.
Playing Dave, Mark Ruffalo is also excellent, doing another riff on his soft-voiced sensitive guy. Dave loves his brother but is stymied by his personal torments. How can he alleviate his brother's pain when he's the unintentional source of it?
As the man who comes between the brothers, Carell, slack-jawed and shuffling, is a rather terrifying vision of extraordinary wealth begetting, or certainly at least stoking, a dehumanized view of the world as purchasable, and thus easily controlled.
Du Pont is desperate to be seen as a hero and champion of the sport he loves, and ensnares the talented Schultzes in his strange game of world-building by having them come train at the facility built on the massive estate that gives the film its title. Carell speaks in a clipped near-whisper, his eyelids drooping, making his eyes two black beads. He certainly transforms for the role, but I couldn't help feeling vaguely put off by the stunt craft of it all. His presence in the film, in this stylized and creepy role, is too showy, and too funny at times, in a movie that otherwise is simple and, despite its darkness, elegant.
I'm also not sure I really buy Miller's last message to the audience, perhaps nudging us to see the deeper American meaning in this tragic story. I suppose you could view du Pont as the one percenters, megalomaniacally exploiting and destroying hard-working people who are simply trying to better their lives. But it's an unnecessary, and admittedly only lightly hinted at, thematic reach, as the movie's psychological inspections are fascinating enough.
Still, this is my favorite film at the festival so far. Somber, smart, and deeply humane, "Foxcatcher" will likely do big things come (dreaded, anticipated) awards season. Channing Tatum might soon enough be an Oscar nominee, you guys.


Read more: http://www.vanityfair.com/vf-hollywood/channing-tatum-foxcatcher-review#ixzz32NlDf6Tg

11 Reasons Why Ohio Is The Best State In The Entire Country

Ohio flag
Wikimedia Commons
Ever heard of the game, "Ohio or Florida?" 
When a particularly ludicrous crime occurs, the internet likes to guess where it happened — Ohio or Florida. Needless to say, some states get bad raps. 
Recently, The Washington Post attempted to address this important misconception about Ohio. The article claims Ohio wins the title of best state because 97% of DMV customers were satisfied with their experiences there. 
Shenanigans.  
Highlighting one of the most hated government departments as Ohio's sole, redeeming quality ignores the state's cultural, economic, and historical importance.
Let's set the record straight. Read eleven real reasons why Ohio is a shining example of U.S. geography.

1. Ohioans become President.

Ohio and Virginia like to bicker about which state can claim the most U.S. presidents. If you consider birthplace, Virginia wins with eight. But looking at primary residence, Ohio comes out on top. Childhood is what really counts, anyway.
No less than seven presidents call Ohio their home state. In chronological order, William Henry Harrison, Ulysses S. Grant, Rutherford B. Hayes, James A. Garfield, William McKinley, William Howard Taft, and Warren G. Harding all grew up or made their lives in the Buckeye State. 

moody's ohio swing county map
Moody's Analytics
2. And when they don't, Ohio picks the president. 

Not unrelated to the last point, Ohio, known as a major swing state, plays an important role in national elections every four years.
Democrats almost always take California and New York, with their 55 and 29 electoral votes, respectively. And naturally, 38 from Texas go to the Republicans. That's why Florida, 29, and Ohio, 18, matter so much.
In 2012, many publications predicted Mitt Romney couldn't win without Ohio. He didn't — so he lost. But the Obama campaign made the election all about Ohio, and it clearly paid off.

3. Ohioans love to swear. 

Angry comic man on phone swearing
Mike Nudelman/Business Insider

According to rigorous analysis of phone calls (probably with cable companies), Ohioans swear more than any other states' residents. Conducted in 2013 by Marchex, the data examined 60,000 recorded phone conversations over the course of 12 months. 
So this might not seem like a positive — but it is. Swearing is f***ing good for you. It helps people express pain and frustration, making us healthier and less violent. Dropping an f-bomb here and there could also help you at work. A 2007 study out of the UK found that swearing creates solidarity and bonding among co-workers and can signal authenticity and leadership to higher-ups.

4. Ohio always denounced slavery. 

St. John's Cathedral
Cleveland's St. John's Cathedral, the last stop on the Underground Railroad
In 1802, 63 years before the 13th Amendment, Ohio's Constitution outlawed slavery. And even when including a clause to allow amendments, the creators specifically wrote Ohio would never, ever allow involuntarily servitude.
On top of that, Ohio acted a crucial catalyst in the abolitionist movement in the North. John Brown, an abolitionist hanged for his radical beliefs, lived in Hudson, Ohio. Harriet Beecher Stowe, who wrote "Uncle Tom's Cabin," the quintessential novel decrying slavery, resided in Cincinnati. 
The state also contains many significant stops on the Underground Railroad, including St. John's Cathedral (shown above), also known as "Station Hope," the last stop for fleeing slaves Cleveland before reaching the ferry to Canada. 
Many believe John Mercer Langston, from Oberlin, to be the first publicly elected Black official. 

5. Pro football was born in Ohio.

Pro Football Hall of Fame
WikiMedia Commons
Canton, Ohio is home to the Pro Football Hall of Fame for a reason — the American Professional Football Association, later renamed the National Football League, was founded there in 1920.
Before the NFL, pro football was a bit of a mess. The teams weren't regulated enough and loyalty was lacking because players could jump from team to team based on whoever offered the highest salary. 
So a few team representatives got together and held a meeting in a Canton auto showroom to establish league. The NFL eventually grew to become a multi-billion dollar powerhouse and the most lucrative sports league in the world.
And the Pro Football Hall Of Fame will soon be even bigger and better than it is now. It's undergoing a two-year, $27 million dollar expansion and renovation as part of its 50th anniversary celebration.

6. Ohio also produces prominent athletes.

LeBron James
Kevin C. Cox/Getty Images
We were all witnesses.
LeBron James is far from the only famous athlete to get his talents from Ohio (even though he rudely took them somewhere else).  Two-time World Series champion Roger Clemens was born in Ohio, and NFL quarterback Brady Quinn was one of the top high school football players the country while he was a student in Dublin, Ohio.
Jack Nicklaus, one of the best golfers of all time, was born in a Columbus suburb and picked up the sport there.

Rock n roll hall of fame
Wikimedia Commons
7. Rock 'n' Roll got its name here.

Cleveland is the rock 'n' roll capital of the world, and it lobbied hard for the hall of fame when music industry leaders were choosing a home for the museum.
And it makes sense that the Rock Hall would find a home in Cleveland. Without well-known Cleveland DJ Alan Freed, we might not have the term "rock 'n' roll" at all. Freed first coined the phrase as a way to describe the music he started playing on the radio in 1951. 
On top of that, Cleveland radio station WMMS is credited with breaking major acts such as David Bowie, Roxy Music, Rush, and Bruce Springsteen.

8. In fact, several famous musical acts hail from the Buckeye State.

The Black Keys
Dan Auerbach and Patrick Carney of The Black Keys call Nashville home.
If you enjoy listening to The Black Keys, The Isley Brothers, Devo, Kid Cudi, John Legend, or Bone Thugs-n-Harmony, you have Ohio to thank. All of these artists either grew up in Ohio or got their starts there.
Mark Mothersbaugh and Gerald Casale met at Kent State University, where they were both art students, and formed Devo in 1976. John Legend grew up in Springfield, Ohio, and Kid Cudi started rapping around his neighborhood when he was 12.

9. Ohioans made history in space.

nasa
NASA
Ohioans have contributed significantly to U.S. space missions — they've flown aboard most of NASA's major human space flight programs.
John Glenn, the first American to orbit the earth, and Neil Armstrong, the first man to walk on the moon, were both from Ohio. The first American woman to walk in space, Kathryn D. Sullivan, is also from Ohio.
On a related note, Ohio is called the "Birthplace of Aviation" (as our license plates show) because the Wright brothers grew up in Dayton. 

home depot hot dogs
Flickr
10. Without Ohio, we wouldn't know the joy of hot dogs.

Many historians credit Niles, Ohio resident Harry Mosley Stevens with inventing the hot dog, which he called "red hot dachshund sausages." Initially, they weren't even popular because people thought they contained real dog meat. But hot dogs soon became one of America's favorite snacks.
Minor technicality — Stevens may have moved to New York City before actually placing the dog in the bun. But we count him and his delicious creation as Ohio born-and-bred. 

11. Speaking of food — Swensons.

This drive-in burger joint, founded in 1934, has only seven locations across the state. Patrons just have to flash their headlights, and the waiters will run out with a menu, ready to take your order. 
Voted as having the best burger in America in 1999 by Forbes, Swensons is a Northeast Ohio staple. If you've never had a Galley Boy, the signature menu item, we mourn for you. It's a double cheeseburger with mayo and barbecue sauce — for only $3.15. Potato teasers, essentially tater tots with cheese and jalapeno inside, are worthy of a trip themselves, too. 


Read more: http://www.businessinsider.com/ohio-is-the-best-state-2014-5#ixzz32Nkp9MK3

Silicon Valley’ Had To Make An Insane Number Of Burger King Runs To Shoot This Brilliant Scene

Silicon Valley hamburgers
HBO/"Silicon Valley"
Peter Gregory, played by Christopher Evan Welch, contemplates the worth of sesame seeds in episode 3 of HBO's "Silicon Valley."
There's an awesome scene in HBO's "Silicon Valley" when venture capitalist Peter Gregory (played by the late, great Christopher Evan Welch) stares down an array of nearly every product sold by Burger King.
Looking over the mouthwatering display, he draws a conclusion about sesame seeds and makes an investment decision (which may be inspired by a real-life situation involving peas). As explained by PandoDaily:
Gregory concludes that most Burger King sandwiches have sesame seeds. Brazil and Myanmar, which supply much of the world’s sesame seeds, are about to face their worst cicada infestations in two centuries. But Indonesia also grows sesame seeds but has no cicada population. So Gregory buys up a bunch of Indonesian sesame seed futures and gives the founders the loan they need out of the projected profits of this purchase.
What you might not realize while watching this scene is how hard it was to shoot.
Business Insider spoke with "Silicon Valley" production designer Richard Toyon about how exactly those hamburgers remained so fresh looking during the shoot.
"It’s funny, our prop master had to go and wrangle those hamburgers and all those products from Burger King," Toyon explained. "They go bad very quickly, so he would do five to six runs in a day of new Burger King stuff for that shot so that everything looked fresh all the time. Otherwise, the food would dry out and it wouldn’t look right."
And Burger King didn't even have to pay for the endorsement.
"HBO, given that they’re not a commercial platform — meaning they don’t have commercials — advertising is not an issue with them," explained Toyon. "And so we can use products for their intended proper use as long as we’re not disparaging them."
Still, Toyon says, "We get legal clearance with the company before. In that case in Peter Gregory’s office with all of the Burger King stuff, we were using it in a very complementary fashion."


Read more: http://www.businessinsider.com/silicon-valley-set-designer-explains-hamburger-scene-2014-5#ixzz32Nk7GoEd

12 Gorgeous Early Concept Designs For Godzilla

godzilla movie
Warner Bros.
If you see "Godzilla" in theaters this weekend, you'll come face to face with the 355-foot tall monster; however, that wasn't the way the monster always looked.
It took a lot of work and designs to get Godzilla the way he looks in the final movie.
Many of the early concept designs for Godzilla are shown in a new book out this week, "Godzilla: The Art of Destruction," in which director Gareth Edwards details the inspiration for the many renderings and why certain looks didn't work out.
Believe it or not, but dogs, birds, and even bears all played a role in designing Godzilla's final look. 
Business Insider received permission to exclusively share some of the early concept designs featured in the book.
"This one had that Christmas tree effect for the fins," said Edwards. "They seemed incredibly big, and you didn't see that form anywhere else on his body. And the lightning effect made it kind of hard to understand what you were looking at."



Read more: http://www.businessinsider.com/godzilla-early-concept-art-2014-5?op=1#ixzz32NjBhZRi