Monday, 6 January 2014

Harry Potter wizard invoked again as Japan hits back at China

Harry Potter poster. PHOTO: PUBLICITY
TOKYO: The diplomatic bickering between Japan and China has descended into name-calling in the British press, with claim and counter-claim by the countries’ ambassadors invoking the fictional evil wizard of the Harry Potter series, Lord Voldemort.
In an opinion piece published in Britain’s Daily Telegraph newspaper on Monday, Tokyo’s envoy to London, Keiichi Hayashi compared Beijing to the villain of JK Rowling’s multi-million selling books.
“East Asia is now at a crossroads. There are two paths open to China,” he wrote.
“One is to seek dialogue, and abide by the rule of law. The other is to play the role of Voldemort in the region by letting loose the evil of an arms race and escalation of tensions, although Japan will not escalate the situation from its side,” he said.
“The answer seems obvious. Although China has so far refused to enable dialogue between our leaders, I sincerely hope that it will come forward, rather than keep invoking the ghost of ‘militarism’ of seven decades ago, which no longer exists,” Hayashi wrote.
Asia’s two biggest economies have long endured a difficult relationship characterised by disagreements on a wide range of issues, many of which are tied to bitter memories of violence in Asia by Japanese soldiers before and during World War II.
But ties have plunged since Tokyo nationalised a set of disputed islands in East China Sea in 2012, fuelling nationalism in both nations that has seen paramilitary ships and planes from both sides involved in regular standoffs around the isles.
Hayashi’s letter was an apparent response to an earlier op-ed – also invoking Voldemort – published by the paper on January 1 by Liu Xiaoming, Chinese ambassador to London.
In the letter, Liu harshly criticised Japanese Prime Minister Shinzo Abe’s recent visit to Tokyo’s controversial Yasukuni war shrine, which honours Japanese war dead, including men convicted of serious war crimes in the wake of Japan’s 1945 World War II defeat.
The shinto shrine is seen by China and other Asian nations as a symbol of Japan’s militarist past.
“If militarism is like the haunting Voldemort of Japan, the Yasukuni Shrine in Tokyo is a kind of horcrux, representing the darkest parts of that nation’s soul,” the Chinese envoy wrote.
In the Harry Potter series, a horcrux is a receptacle in which evil characters store fragments of their souls to enable them to achieve immortality.
Hayashi responded that Abe was only paying his respects to war dead and insisted his visit was “by no means to pay homage to war criminals or to praise militarism.”
“It is ironic that a country that has increased its own military spending by more than 10 percent a year for the past 20 years should call a neighbour ‘militarist’,” Hayashi wrote.
“Its attempt to change the status quo by force or coercion has raised concerns not only in Japan, but also among its neighbours throughout the East China Sea and the South China Sea,” he wrote in a reference to China’s vigorous claims of territories also claimed by nations such as the Philippines and Vietnam.

China coal mine accidents kill 1,049 in 2013: Govt

They are down from 1,384 the year before and 1,973 in 2011. PHOTO: FILE
BEIJING: Accidents in Chinese coal mines killed 1,049 people last year, down 24 percent from 2012, authorities said, reflecting both risks and improvements in the country’s thriving and often under-regulated sector.
China is the world’s largest consumer of coal and its mining industry sometimes skirts safety regulations, although authorities have shut small operations in recent years to try to improve conditions.
Accidents left 1,049 people dead or missing in 2013, the central government said on its website, down from 1,384 the year before and 1,973 in 2011.
“Safety in coal mining continues to steadily improve,” it said, citing measures taken by the State Administration of Work Safety.
But some rights groups argue the actual figures are significantly higher due to under-reporting by mining companies.
Last month 21 of 34 miners died in an explosion at Baiyanggou coal mine in China’s western Xinjiang region, the official news agency Xinhua reported at the time.
In May, a total of around 40 miners died in two accidental blasts in Sichuan and Guizhou provinces in the southwest.
An explosion at a coal mine in the northeastern province of Jilin killed 28 people in March

Disney’s Frozen knocks down the Hobbit

Disney’s latest offering it it’s highest-grossing animation release, behind only The Lion King. PHOTO: FILE
LOS ANGELES: Walt Disney Co’s animated fairy tale Frozen took hold of first place on movie charts in the United States and Canada for the first weekend of 2014, knocking three-time champion The Hobbit: The Desolation of Smaug down to the No.3 spot.
Second place went to new horror movie Paranormal Activity: The Marked Ones, a spinoff from the hit low-budget Paranormal Activity franchise.
Frozen collected $20.7 million in ticket sales, claiming the weekend box office hit crown, ahead of The Marked Ones which earned $18.2 million.
Kristen Bell provides the voice for the lead character in Frozen, the story of a Scandinavian princess on search of her missing sister, the queen. The hit film is nearing a $300 million domestic total and has collected $640 million in global ticket sales, making it the highest-grossing Disney Animation release of all-time, behind only The Lion King, according to Disney.
The Marked Ones introduces new characters and a different story to the hit Paranormal Activity franchise produced by horror filmmaker Jason Blum. The new installment, designed to appeal especially to Latino moviegoers, features Hispanic actors and some Spanish dialogue in a story about a young man in Oxnard, California, who learns he is marked for possession by a demon. The first four Paranormal films, each released in October, have pulled in $720.7 million worldwide, according to the Box Office Mojo website.
Smaug, which took in $16.3 million after three straight weeks at No.1 before falling to third place, is the second installment in The Hobbit fantasy series and follows the quest of Bilbo Baggins and a band of dwarves as they clash with a fire-breathing dragon.
Rounding out the charts, director Martin Scorsese’s The Wolf of Wall Street, which stars Leonardo DiCaprio in the biographical story of a drug-snorting Wall Street scam artist, took the No. 4 spot with $13.4 million.
Fifth place went to 1970s crime caper American Hustle. The critically acclaimed film stars Christian Bale, Amy Adams, Bradley Cooper and Jennifer Lawrence in a story loosely based on a real-life corruption scandal involving U.S. politicians, and took in $13.2 million at the box office.

Did you know? Waar highest rated feature film of 2013 on IMDb

Poster of the film.
The most anticipated and hyped Pakistani movie, Waar, which was also a hit at the local box office, is the highest rated feature film of 2013, according to IMDb.
The movie was given a rating of 9.1 out of 10 in a polling based on 1000 users rating, ranking above films like The Wolf of Wall Street and Gravity. No Bollywood film made it to the top five. However, Farhan Akhtar’s Bhaag Milkha Bhaag sits comfortably at a position of number 8. Despite such impressive public statistics, the movie did not make it anywhere in the top ten of IMDb’s MOVIE meter.
Director Bilal Lashari, enthusiastic about the public opinion, shared his feelings with The Express Tribune, saying “This was not just a reaction to a film, but a show of immense love and support from proud fellow Pakistanis and a new beginning for our national cinema.”

American diggers identify tomb of Egypt pharaoh

Picture released on January 6, 2014 shows the 60-ton quartzite sarcophagus chamber of King Sobekhotep I in south Abydos in Upper Egypt. PHOTO: AFP
A handout picture taken on January 1, 2014 and released by Egypt's Supreme Council of Antiquities on January 6, 2014 shows excavation work at the entrance passage of the tomb of the Pharaonic King Sobekhotep I in south Abydos in Upper Egypt. PHOTO: AFPPicture released on January 6, 2014 shows the 60-ton quartzite sarcophagus chamber of King Sobekhotep I in south Abydos in Upper Egypt. PHOTO: AFP
CAIRO: A US team in Egypt has identified the tomb of pharaoh Sobekhotep I, believed to be the founder of the 13th dynasty 3,800 years ago, the antiquities minister said Monday.
The team from the University of Pennsylvania had discovered the quartzite sarcophagus of Sobekhotep I, which weighed about 60 tonnes, a year ago, but was unable to identify who it belonged to until last week, the ministry said.
Its identity was established after the team found fragments of a slab inscribed with the pharaoh’s name and showed him sitting on a throne, Antiquities Minister Mohamed Ibrahim said in a statement.
“He is likely the first who ruled Egypt at the start of the 13th dynasty during the second intermediate period,” the minister said.
The discovery is important as not much information was available about Sobekhotep I “who ruled Egypt for four years and a half, the longest rule at this time,” said Ayman El-Damarani, a ministry official.
The tomb’s discovery in the southern archaeological site of Abydos is expected to reveal more details about his life and rule, he added.
The team also discovered the remnants of canopic vases traditionally used to preserve internal body organs, along with gold objects owned by the king.

Coke Studio 6: Abrupt ending leaves Baloch musicians disappointed

Ustad Mumtaz Sabzal, a globally known Banjo player with a reputed musical lineage, was disappointed at how he was cut out of Rostam Mirlashari’s Laila O Laila
Ustad Mumtaz Sabzal, a globally known Banjo player with a reputed musical lineage, was disappointed at how he was cut out of Rostam Mirlashari’s Laila O LailaPHOTO: PUBLICITY
KARACHI: Eight episodes released on a weekly basis — a promise that Coke Studio made to its loyal fans before airing. And yet, unfortunately, this isn’t what happened in reality. The schedules kept changing; going from a weekly release to a release on every alternate weekend.
The varying schedules are now the least of its concerns. In fact, what has taken everyone by surprise is the announcement that Coke Studio’s fifth episode, which aired last Sunday, was its last and final for this season.
“The final episode of Coke Studio’s sixth chapter in its journey was aired on all major television channels and radio stations and is available online across Pakistan,” said an official press release issued by the Coke Studio’s PR team, on Monday.
This rather sudden end to season six of South Asia’s most popular music show has not only disappointed its fans, but also some of the musicians who were a part of it, at least during the making if not on-screen. The Baloch musicians, who kept waiting to see their melodies and instruments featured on the show, were disgruntled and saddened at being sidelined and ignored.
Ustad Mumtaz Sabzal, a globally known Banjo player with a reputed musical lineage, was disappointed at how he was cut out of Rostam Mirlashari’s Laila O Laila (from episode 4) and how another song that he was featured in wasn’t even released.
 “What happened with Laila O Laila ridicules Baloch music, and is a mockery of all the seasoned musicians who were featured in it but were left out of the final product,” Sabzal says to The Express Tribune. “I spent so much time with Rohail on this and played so many variations of the folk tune that he was dancing to them and kissed the musicians’ hands out of respect. However, sadly, there wasn’t even a single shot of those musicians.”
Earlier, while he was on a flight to Lahore with the rest of the musicians for the filming of the show, Sabzal had shared his excitement regarding his participation in Coke Studio with The Express Tribune. “It is high time that the sounds and rhythms of Balochistan, a province that is bleeding, are heard on a global platform,” he had said. “Through my Banjo and the sounds of other instruments from Gwadar and Naal, we have tried our best to bring the sweetness and humbleness of Baloch culture across in our music.”
Their excitement turned into sheer discontentment, and Sabzal shares that it was only on Rohail’s request that he invited musicians all the way from Surbandar, a fishermen’s village near Gwadar, to participate in this season. Amongst those musicians was Muhammad Umar Saurozi, a seasoned Suroz player who only performs at international shows in Sweden, Norway and South Africa and had simply agreed to be part of Coke Studio because he was a student of Sabzal’s grandfather.
“He spent quite a lot of time in the studio but all that was released was a small part that featured his son Fidaa Hussain playing the Balochi Dumboora. These are the people who made Laila O Laila what it is today and sidelining them was simply in bad taste,” asserts Sabzal.
While Saurozi wasn’t available for a comment, The Express Tribune contacted Abdul Kareem ‘Dholak Nawaz’, a dholak player who now resides in Mauripur, Karachi, but has had the privilege of playing Laila O Laila live with Faiz Mohammad Baloch — the legendary folk musician who first brought this celebrated tune to the forefront back in the ’60s.
“I was almost in tears when I saw Laila O Laila,” says Kareem. “The whole of Lyari, especially the upcoming Balochi musicians, were so excited to see one of their own teachers become a part of Coke Studio. When I saw the final product, I felt ashamed; it was as if I had been making false claims.”
Apart from Mohammad Baloch, Kareem is one of the most sought after dholak players in Sindh and Balochistan, and has toured and played with popular singers like Humaira Channa and Shazia khushk to name a few.
“I know we were paid, and that was what we were hired for, but at this point in life all one wants is recognition on a bigger platform, not money,” emphasises Kareem. “I have grown up with Laila O Laila, and not being a part of its modern rendition after putting so much effort into it, really hurts. But more than myself I feel sorry for Ustad Sabzal and Ustad Umar, because they are our legends and two of the few people who have been pillars of Balochi folk music in Pakistan.”
What needs to be noted is that this is not the first time such an incident has happened on Coke Studio. Random rejection of songs has made other artists unhappy as well, during earlier seasons. Sajjad Ali’s third song in season four, which he perceived to be “the most exciting number ever” when he shared it with the writer, was also never released.
The Express Tribune contacted Lotus PR, the company that handles the public relations for Coke Studio, for a comment from Rohail Hyatt. However, there was no response till the filing of the story.

Injured war veterans are national heroes: Gen Raheel Sharif

Chief of Army Staff General Raheel Sharif shaking hands with a wounded war veteran during his visit to AFIRM in Rawalpindi on Monday. PHOTO: ISPR
RAWALPINDI: Chief of Army Staff General Raheel Sharif said on Monday that injured soldiers were national heroes, and that there was no greater sacrifice for the motherland than one’s life or limbs.
“There cannot be a bigger sacrifice for the motherland than one’s life or precious limbs.”
The Army Chief was visiting the Armed Forces Institute of Rehabilitation Medicine (AFIRM) in Rawalpindi on Monday, a statement released from the Inter Services Public Relations(ISPR) read.
The hospital provides treatment to soldiers injured in the war on terror, even providing prosthetic and replacement limbs for soldiers.
The COAS praised sacrifices, valour and determination of the soldiers who were injured in the ongoing war on terror. He assured the veterans that the Army acknowledges their sacrifices and would do everything to bring comfort in their lives.
The COAS was received by Surgeon General Pakistan Army Lieutenant General Azhar Rashid and given a detailed briefing on rehabilitation work undertaken by the Institute.
COAS also inaugurated a Resettlement  and Vocational Training Department where wounded soldiers will be imparted vocational training to help them integrate into the society as useful citizens once again.