Monday, 25 November 2013

Forced marriages: In Kashmir, old habits die hard

Some legal support is available in Pakistan, but rights campaigners say only a minority get support. PHOTO: IRIN
MUZAFFARABAD: 
From a distance, Jalila Ahmed* and Nabila Ahmed* look like ordinary village girls in their late teens, shopping at the local bazaar in a Mirpur suburb.
But move in a little closer, and the differences are more obvious — they struggle to communicate with the vendors, sometimes giggling between themselves as they try to find a name for a particular vegetable. When they speak to each other, they do so in English, with an accent closer to Bradford than Bagh. But they are careful, because they have been told not to talk to each other.
The two teenagers, distant cousins, say they were both forced into marriages a year ago, after being brought to Mirpur from the UK to “attend a family wedding.” It was only after they arrived in the city that they discovered the marriages they were attending were their own, both to distant relatives.
Hundreds of cases of forced marriage involving British nationals married against their will in Kashmir are thought to take place annually, particularly around the industrial town of Mirpur. Since the late 19th century, Kashmir has had a large diaspora — estimated to be around one million — with many communities concentrating in British cities like Bradford, Glasgow and London.
To preserve their culture and traditions, some families favour sending their children — particularly daughters — back to Kashmir.
Campaigners say such marriages are cruel, leading to “murders and chaos”, either because couples fail to get along or when young women resist. Shafilea Ahmed, 17 at the time of her murder nine years ago in the UK, was the victim of one such crime, which made headlines when her parents were brought to trial.
“We hear of around 300 cases of such marriages annually, though many more may actually take place,” Khalida Salimi, executive director of the NGO Struggle for Change, told IRIN. She said most “but not all” cases involved girls. Thousands of those forced to marry remain in Kashmir, she said.
“This is a cultural practice. Families want to marry their children to the offspring of relatives as they believe they will prove to be good partners for them,” said Salimi.
She said that economic factors were also involved, either to keep wealth within families or because once a Pakistani man marries a UK national he can go to Britain to get a well-paid job. “This is the most common reason for such marriages,” she said.
“Ceaseless nightmares”
“I was a victim 25 years ago,” said Uzma Bibi, who lives with her adult son in Lahore, but frequently travels to the UK. “It was a terrible experience. I was only 15. I was told we were going on a family holiday to Kashmir, and instead was married to a cousin far older than me.”
Uzma’s husband died a year ago. “While he was not a bad man, the years in ‘captivity’ have scarred me for life,” she said. She regularly see a psychiatrist to help cope with what she says are her “ceaseless nightmares.” She also knows at least a dozen women who face similar situations today.
Other women have made dramatic escapes, using the internet to seek help from the British High Commission or hiding spoons in their underwear to set off airport metal detectors, giving them an opportunity to speak to authorities.
Staff at the UK’s Forced Marriage Unit (FMU) said they dealt with 1,485 cases of possible forced marriage in 2012, with 47.1 percent of these involving Pakistan, and most of these were from Mirpur.
Illegal
Laws in Pakistan bar forced marriage, said Salimi, while the practice is also regarded as a form of slavery by organisations dealing with such abuses. As awareness grows, attempts to dissuade parents from forcing children into marriage have grown.
“Marriages of this kind are totally against Islam,” said Maulana Shafiq Salim, a cleric in Mirpur. “But we all know they continue to take place, and it is saddening to see these young girls, some mere children, deluded by their own parents.” He said he himself refused to formalise such marriages, but said “other clerics did.”
“Changing attitudes is not easy,” Aziz Butt, a banker in Mirpur, told IRIN. “My brother, based in Manchester, wants me to find a match for his 16-year-old daughter here, in Kashmir, even though I keep telling him it is no longer the custom to marry off girls so young, that she should be studying and should have a say in her own marriage.” He said his brother wanted to “prevent my niece from moving away into an alien culture by marrying her to someone here.”
Some legal support is available in Pakistan, but campaigners say only a minority get support.
“Only a small percentage of the many cases of forced marriage that take place are reported to us,” said Asma Ali Shan, a law officer at the government-run Benazir Bhutto Shaheed Women’s Development Centre, Mirpur.
“We offer legal support, shelter and counselling if required, but what we need is raised awareness to prevent such marriages in the first place.”
*Names changed to protect identity

Sunday, 24 November 2013

Mohabbat Ek Ittifaq: Make way for the first Urdu-dubbed Turkish feature film

Mohabbat Ek Ittifaq is the story of a love held in the hands of fate. PHOTOS: PUBLICITY
KARACHI: 
Regardless of how agitated people might be by the arrival of new channels playing Turkish soaps on Pakistani television, or the running of Indian films in Pakistani theatres, the fact remains that these foreign entertainment imports are keeping Pakistani cinema and television alive.
It appears that this trend will not be slowing down anytime soon as Pakistani cinema braces itself for the arrival of its first ever Urdu-dubbed Turkish feature film, expected to hit the big screen in January 2014.
The film, which will be playing in theatres under the title Mohabbat Ek Ittifaq, is the Turkish blockbuster Ask Tesadulfleri Sever, which grossed over $50 million when it was released in Turkey in 2011. The film is being imported to Pakistan by Kayzee Enterprises, and has also been dubbed locally. The importers also own the rights to releasing the same version in Bangladesh and India.
“People are putting so much money in to making cinemas in Pakistan [such as Nueplex], but there isn’t enough content [on screen],” Kaukab Zuberi, an investment banker turned film importer, told The Express Tribune.
“Hollywood films are watched by 1% of the population, Pakistani films are not made frequently and Bollywood films can always be affected by political situations and other social factors. So it is very important to cash in on an alternate product, “he says.
Ask Tesadulfleri Sever, with the English title Love Likes Coincidences, is a 2011 romantic saga directed by Ömer Faruk Sorak, and features Turkish stars Mehmet Günsür and Belçim Bilgin Erdo and Günsüris, who is a familiar face for Pakistani audiences, as he has also played the role of Shahazad Mustafa in a Turkish drama currently running on Pakistani TV channels,Mera Sultan. The story of the film revolves around a series of coincidences that will decide the fate of two lovers, Ozgur and Deniz. The film intercuts between their childhood in Ankara and their present-day life.
“It is our similarities with the Turkish culture and the ownership of a common religion that made the dramas work — and will make the film work,” says Zuberi. “It is important to mention the time Turkish writers spend on writing one film. That quality of screenwriting can’t be expected of India, let alone Pakistan, and will contribute to the success of the film,” he says.
Well-known Pakistani film-maker Syed Noor appears to share Zuberi’s outlook on the matter. Noor feels that Bollywood films don’t possess the values Pakistani people live by. “I was never against foreign films coming to Pakistan, I was just against Indian films that were being imported illegally or were culturally inaccurate for a Pakistani audience,” he says. “It is great to see a Turkish film being imported to Pakistan because, above all, it’s another Islamic country and we have so much in common with them [Turkish people] as well.”
Bollywood may be a factor assisting the local success of Turkish films in more ways than one. The decline in the quality of Bollywood films, which Zuberi believes have become second-rate over time, can only make the audiences more accepting of Turkish films. “I think there is a huge potential for dubbed Turkish films in Pakistan. If a film like Chennai Express can work, so can a great film like Mohabbat Ek Ittifaq,” Zuberi says optimistically. “Pakistani people have had enough of the typical, formulaic films from Bollywood and definitely deserve something more meaningful.”
Apart from film imports, Kayzee Enterprises also plans to open doors for Pakistani films in Turkey, so as to take advantage of the 2,000 screens present in the latter. The company also has two films in the pipeline, Glamour and Dhundd, which will begin the production process as soon as their directors are finalised.
While Zuberi may be confident, for now, his claims rely more on ambition and hope than empirical research and the combination may prove to be a recipe for a box office disaster. After all, he is trying to invoke innovation in an industry that relies heavily on established trends. The curiosity that the first Urdu-dubbed Turkish film piques will have people heading to theatres, but the first time Turkish entertainment was imported to Pakistan organisations like the UPA (United Producers Association) responded with outcry. In response to these concerns, Zuberi says, “Exhibitors plan to make 200 screens by 2015. Like-minded people should think of methods of eventually filling up those 200 screens [and not hinder efforts to do so].” he says.
The exact release date of Mohabbat Ek Ittifaq will be announced in the coming week. first Urdu-dubbed Turkish film piques will have people heading to theatres, but the first time Turkish entertainment was imported to Pakistan organisations like the UPA (United Producers Association) responded with outcry. In response to these concerns, Zuberi says, “Exhibitors plan to make 200 screens by 2015. Like-minded people should think of methods of eventually filling up those 200 screens [and not hinder efforts to do so].” he says.
The exact release date of Mohabbat Ek Ittifaq will be announced in the coming week.

It's official, Waar is the highest grossing Pakistani film of all time

Waar has so far earned Rs200,145,809. PHOTO: FILE
KARACHI: Blockbuster movie ‘Waar’ has now officially become the highest grossing film in Pakistan of all time after it surpassed ‘Choorian’s’ Rs200 million mark at the box office on just its 36th day of screening.
‘Waar’ has so far earned Rs200,145,809 in a little over five weeks of screenings. The film was initially released on 53 screens at 35 cinemas all across Pakistan on Eidul Azha. It is still playing at five different sites, meaning it could go on to gross a higher total take from the domestic screenings.
Bilal Lashari’s film, which had opened to sold out theatres, is still selling 30-40% of seats with films such as Sanjayleela Bhansali’s ‘Ramleela’ drawing packed houses. ‘Waar‘ is also expected to see a limited release in neighbouring India, and the UK.
Waar’ owes its massive success at the box office primarily to a long public holiday when it opened on Eid. More importantly, ‘Waar’ has benefited from an exponential increase in the number of screens over the past year. Of the 63 working screens in Pakistan, 17 were added just in 2013. The advent of multiplexes has also seen the price of tickets double from an average price of Rs150 to Rs350.
The business has proven to be lucrative for entrepreneurs who are seen to be pouring in substantial amount money in opening up bigger and better cinemas in Pakistan. If the sociopolitical situation remains favourable for films, Pakistan could see the number of cinema screens to triple to 200 by 2015.
Provincial distribution of business:
Punjab: 57%
Sindh: 35%
Islamabad Capital Territory (ICT) : 8%
City wise distribution of business:
Karachi: 34%
Lahore: 29%
Rawalpindi: 17%
Islamabad: 8%
Faislabad: 4%
Multan: 2%
Gujranwala: 2%
Hyderabad: 1%
Gujrat: 1%
Other: 1%

Movie review: Ender's Games - wasted war[rior]s

Ender’s Game raises thought-provoking questions about the wars we are fighting.
Literary critics wittily claim that that the golden age for science fiction is at the ripe age of 14. The Ender’s Game, a hardcore science-fiction flick for teens, makes an adult (especially those addicted to war games) feel like a 14-year-old, and in a good way.
Written and directed by Gavin Hood, and based on Orson Scott Card’s book by the same name, the film tells the story of the planet being rescued by a small group of children. Set in a disarmingly straightforward sci-fi setting, it shows the future of the planet being threatened by the Formics, a hostile alien species with superior technology who seem determined to destroy the human race.
The entire plot of the film is unlocked with the protagonist’s narration in the opening scenes of the film. “The world’s smartest children are the planet’s best hope. Raised on war games, their decisions are intuitive, decisive and fearless.”
After observing Ender Wiggins (Asa Butterfield), a shy but strategically brilliant boy, through hidden cameras, Colonel Hyrum Graff (Harrison Ford) believes he is the next great warrior for humanity. Graff pulls Wiggins out of school to join the elite force, and trains him to be an outstanding fighter — one that kills without asking any questions. The young fighter quickly learns jarring and increasingly complicated war strategies and is promoted to the Command School.
Ender takes up the war with a group of his best team members to save the Earth from the biggest enemies of the human race. But he is also simultaneously at war with his inner self, trying to distinguish between a war hero and a killer. This forces the audience to think which side is justified in a war — the one that attacks or the one that retaliates.
The Ender’s Game revolves particularly around the subjects of leadership and the influences on one’s mind during teenage years. We see a great impact of Wiggin’s siblings (Valentine Wiggin played by Abigail Breslin and Peter Wiggin played by Jimmy Pinchak) on his mind during his time at the battle school. While his sister is the protector and confidant through the film, Ender’s brother is an angry soul who sees Ender’s selection for the battle school as his defeat.
While there have been mixed reviews for using children to play the role of adults in Hollywood, it has worked to suit the theme of the film. The fact that the movie shows children as warriors, who are at times forced to fight without an option of quitting, is a concept that will be disapproved by many. However, it also forces one to reflect on the kind of world we are leaving behind for the future generations and if the war will ever end.
Overall, the movie is captivating and thought-provoking and will make you want to buy the book immediately if you haven’t read it already. The author, Orson Scott Card, is the recipient of the Margaret A Edwards Award for outstanding lifetime contribution to writing for teens. For a complete experience, I’ve already bought my copy

Shahid Kapoor desperate for some luck

Shahid Kapoor feels that if the time is right, everything will work out on its own. PHOTO:FILE
Actor Shahid Kapoor made his Bollywood debut back in 2003. After a decade-long career, he only has a handful of successful movies in his pocket — Kaminey and Jab We Met being the main ones. However, the 32-year-old has some high hopes attached to his upcoming venture R…Rajkumar, opposite the famed Sonakshi Sinha.
“I have been unlucky that my films did not work, but I have been lucky as my fan following has been intact. I am lucky that the audience has been very nice,” he said, according to theTimes of India. “I have tried to give 200 percent to all my films and I am thankful that the audiences have faith in me. I deserve a little luck.”
However success is heavily dependent on time — when it’s written, it’s written — and Shahid seems to firmly believe that. “It’s all about timing  — when the time is good, it will work. You can’t think about all these things as you have to learn to accept a few things. I genuinely feel I just need some luck… the rest is fine,” he added.
Although, Shahid has been seen performing some hardcore action scenes in his previous movies, his action sequences in R…Rajkumar are very stylised — similar to what B-town directors have been relying on currently. He feels that his director Prabhu Deva has directed some of his best action scenes with him. “His sense of action is amazing. His action treatment is also musical. There is a lot of stylisation. He takes care of small moments,” he emphasised. “We finished shooting for the film in 88 days and for 45 [of those] days we shot for action sequences. He gives a lot of time and attention to action.”
As far as his pairing with Sonakshi is concerned, he is all praise for B-town’s current favourite leading lady. “I have been working for 10 years and I don’t say this for everyone, but she is a complete heroine. She dances so well, great actress, her attitude is very positive and we really gelled well,” he said.
R…Rajkumar has been slated for a December 6 release.

Designing is my new baby: Lara Dutta

Dutta takes everything on — Actor, model, mother and now designer. PHOTO: FILE
NEW DELHI: After spending a decade in front of the camera, Lara Dutta has taken a break from acting and is putting her designing skills to test by launching a sari collection.
The former Miss Universe, seen in hits like No Entry and Partner, is already the mother of a two-year-old daughter Saira, but says designing is her “new baby”.
“I have done films for 10 years. This [designing] is something new that I have forayed into; so it’s my new baby. I am excited about the response from the customers,” Lara says. She was in New Delhi recently to launch her second sari range in association with Chhabra 555.
The 35-year-old started designing last year, when she created a whole line of saris for women who are keen to strike the right balance between traditionalism and modernity.
“The second collection is far more traditional. Personally I am a big fan of Banarsi saris and many other old-age fabrics; and I wanted to make those weaves younger and more contemporary. Normally, we associate Banarsi saris with our aunts and our mothers but I wanted to give it a younger and trendier feel,” she says.
The model-turned-actor made her Bollywood debut in 2003. In 2011, she married tennis champion Mahesh Bhupathi and the duo started their production house Bheegi Basanti Productions. Chalo Dilli, their production house’s maiden venture, won critical acclaim.
Post-motherhood, Lara’s silver screen appearances have not been frequent, but she has no regrets.
“I think each thing has its own space in life. I enjoyed being busy. My priority (now) is my daughter. That will always be my number one priority. Now she is getting older, so I am getting more time to celebrate and concentrate on my own work; so here I am promoting the brand as much as possible,” she says.
Lara is also known as one of the fittest moms in the industry, but feels it’s no exceptional feat.
“I think today every mom  — whether it is Karisma [Kapoor], Shilpa [Shetty] or anyone  — wouldn’t want to look fat after giving birth to a baby. They are all fit; so I have done nothing great.”
“Every woman has become a multi-tasker and that keeps all of us fit. I think it’s a normal transition. You put on weight and then you lose it,” she says.

Dropbox spruces up its app for iOS 7

Dropbox version 3.0 for the iPad.
Dropbox version 3.0 for the iPad.
(Credit: Dropbox)
Dropbox has a new look and new feature-set on iOS 7.
The company on Thursday launched version 3.0 of its mobile application, complete with a new design that mimics the look and feel of Apple's iOS 7. In addition, the application has added iPadfunctionality that allows for tapping on files and photos to toggle to full-screen mode. Dropbox has also promised that its revamped application will be faster than previous iterations.
In addition to the standard bug fixes that come with new app updates, the redesigned Dropbox features support for Apple's AirDrop. That means users can wirelessly save their files from other devices in the Dropbox running on their iPad or iPhone. Dropbox has also streamlined PDF viewing.
The new Dropbox is available now in Apple's App Store. Like the previous iterations, it's a free download.